Known for its outrageous humor, occasionally controversial content, and often silly spirit, Monty Python's Flying Circus poked fun at nearly everything.
This book employs the film as a window to both reveal and examine “Arthurian” life and literature, the historical Middle Ages, and a Great Britain of labor unrest, power shortages, and the common man.
Organized chronologically by scene, the entries cover literary and metaphoric allusions, symbolisms, names, peoples, and places; as well as the many social, cultural, and historical elements that populate this film, and the Pythons’ work ...
Shakespeare is The Bard; Python is-well-not. Despite all of these differences, Shakespeare and Monty are in fact related; this work considers both the differences and similarities between the two.
Progressing chronologically, the book follows animation from stage performance through to its use as wartime propaganda, its seven-minute heyday and decamp to television, and finally the years of struggle as cartoons became feature films.